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Automotive Art
by Philip Powell on May 18, 2007
The automobile has long been the subject of renowned photographers which is appropriate considering its cultural role and sculptural beauty. Clearly Todd Webb (1905 - 2001) knew how to capture the car on film as this print, "Mr. Perkin's Pierce Arrow, Harlem, New York, 1946" now available from The New York Times Store, reveals. By juxtaposing a luxurious pre-war Pierce Arrow coupe against a brick wall with an abstract-looking fire escape, Todd reminds us that the car should not always be shot in close-up. In fact, I've long argued that it can be more attractive when viewed as the dominant element in a captivating background.
These archival silver-Gelatin estate prints are limited edition (60 altogether), available in three sizes, numbered and initialed by the photographer's widow, Lucille Webb. The newspaper describes them thusly: "Individually created, the finest archival-quality paper and processes are used in printing this fine-art photograph. Every image is produced to the highest exhibition standards of The New York Times." Which explains why the price is justified. The smallest size, 11" x 14," goes for $1100 and with just 15 copies available is certainly exclusive. If you would collect fine automotive art, this print is a must-have. Order it here.
Tags:
Pierce
Arrow
photo
print
classic
antique
collector
old
car
cars
auto
automotive
automobile
automobil
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Mr Wong
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