The automobile has long been the subject of renowned photographers which is appropriate considering its cultural role and sculptural beauty. Clearly Todd Webb (1905 – 2001) knew how to capture the car on film as this print, "Mr. Perkin's Pierce Arrow, Harlem, New York, 1946" now available from The New York Times Store, reveals. By juxtaposing a luxurious pre-war Pierce Arrow coupe against a brick wall with an abstract-looking fire escape, Todd reminds us that the car should not always be shot in close-up. In fact, I've long argued that it can be more attractive when viewed as the dominant element in a captivating background.
These archival silver-Gelatin estate prints are limited edition (60 altogether), available in three sizes, numbered and initialed by the photographer's widow, Lucille Webb. The newspaper describes them thusly: "Individually created, the finest archival-quality paper and processes are used in printing this fine-art photograph. Every image is produced to the highest exhibition standards of The New York Times." Which explains why the price is justified. The smallest size, 11" x 14," goes for $1100 and with just 15 copies available is certainly exclusive. If you would collect fine automotive art, this print is a must-have. Order it here.